About me
Matthias Lehmann is an electronic music producer and composer based in the wonderful landscape of Sprockhövel, Germany, where nature meets sound. Operating from his studio nestled in the scenic hills of the densely wooded southern Ruhr region, his music seamlessly blends melodic electronics with the vast, atmospheric textures of deep space and ambient soundscapes.
His artistic vision is deeply intertwined with a life of devoted physical endurance on the trails and a nature-spiritual approach to existence.
A passionate long-distance runner since 1998, Matthias can be found almost daily on the picturesque forest paths of his homeland. He translates the flowing rhythm, unbroken focus, and meditative mental expansion of these journeys directly into his music using Ableton Live. For him, running through the mist and ancient woods is not just movement—it is a spiritual connection to the earth, a silent dialogue with the seasons that breathes life into every synthesizer chord.
The result is a softly structured yet profoundly emotional sonic experience.
An exploration of earthly seasons and cosmic horizons that has already garnered international radio airplay, including repeated features on John Diliberto’s renowned Echoes Radio and Detlef Keller's Ad Libitum.
+++ AUTUMN RHAPSODY +++ REMASTERED EDITION +++ STREAMING EVERYWHERE SEPTEMBER 25, 2026 +++ PART OF THE SEASONS QUADROLOGY +++
+++ AUTUMN RHAPSODY +++ REMASTERED EDITION +++ STREAMING EVERYWHERE SEPTEMBER 25, 2026 +++ PART OF THE SEASONS QUADROLOGY +++
Sound That Touches the Heart
A sonic exploration of earthly seasons and cosmic horizons
Follow My Sound Universe
“Music is the breath between two notes”
Matthias´ music lives between notes — the silent frame that gives melody meaning. In pauses, rhythm and counterpoint meet, harmonies reveal hidden tones, and the unsaid lets memory and expectation speak. These gaps invite close attention, where a motif unfolds into vast inner landscapes. Silence, not empty, shapes feeling and turns sound into a living journey.
